Skip to main content

Human Remains - Jo Callaghan *****

In the third of her AIDE Lock/DCS Kat Frank novels, Jo Callaghan demonstrates again her ability to produce a page turner. Interwoven with a complex case involving the titular human remains are doubts about Frank's previous success putting away a serial killer, raised by a true crime podcast, and the presence of a stalker who seems intent on harming Frank.

All the above would be enough to make a good novel in its own right, but the reason this series is so good is the involvement of the holographic AI detective Lock. His technical abilities are remarkable, yet even the professor who created him seems worried about the AI's insistence that he would be even more use if he had some form of physical body. The questions raised by his involvement, and the limitations his nature pose (when, for example, he ignores evidence because he wasn't explicitly asked to look out for it) add a huge amount to the depth of the book.

The tension of the closing act is remarkable - once I started reading it I had to finish. There's a dramatic twist that leads to some impressive soul searching about AI officers having a physical presence. It's a remarkable piece of writing.

I've previously commented on the difficulties presented in making some of Lock's abilities real, and there is a significant move away from him being dependent on a bracelet worn by Frank (though it was too late to avoid a hologram projected into empty space) - but I think he needs an upgrade on his research abilities. Lock frequently picks up vast numbers of studies online, but clearly doesn't know how to check quality - he repeats the Baby Mozart myth, despite it being dismissed as one of the many victims of the replication crisis in the social sciences.

This is trivial, though. Overall, this is the best yet in this excellent series.

You can buy Human Remains from Amazon.co.ukAmazon.com and Bookshop.

Using these links earns us commission at no cost to you

These articles will always be free - but if you'd like to support my online work, consider buying a virtual coffee or taking out a membership:
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email free here

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...