I'm a big fan of murder mysteries, and write them when I'm not working on my popular science titles. The latest (book eight!) in the series of Stephen Capel mysteries is now out, called A Contrite Heart . In it, the election of a new MP for Bath disturbs the village of Thornton Down where two of the candidates have recently moved in. Vicar Stephen Capel struggles with a moral dilemma when his best friend asks him to place listening devices in the candidates' homes for the security service - and things spiral out of control when a would-be MP is killed. What begins as a murder investigation involving Capel's newly promoted wife, Detective Sergeant Vicky Denning, becomes a race against time to save a woman's life. Writing fiction is a very different experience from writing popular science - I enjoy it just as much and hope that you will find the book interesting too. What fascinates me about the fiction process is the way that characters evolve as the book is writte
Having recently been bowled over by the way that Janice Hallett subverted the mystery form in the likes of The Appeal , I found Anthony Horowitz's twist here was also refreshing. I'd admired the cleverness of his Moriarty , and seen the TV adaptation of his Magpie Murders , which involves both a fictional mystery writer and their fiction. In his Hawthorne and Horowitz mysteries, of which this is the first, Horowitz goes one step further by involving himself in the plot. What we get is a book written by Horowitz in the first person, in which a detective, Daniel Hawthorne, contacts him about writing a true crime book about an investigation that he is undertaking. The result is a fictional true crime book - Hawthorne and the crime are fictional, but the 'Horowitz' in the book is a version of the author. If, for example, you've watched Horowitz's TV series Foyle's War , there is double enjoyment in this, as he describes behind the scenes material on his work (at