REVISIT SERIES - An edited post from October 2014 I find it interesting the way that the media gets in a state of outrage when someone defaces a Banksy artwork. It feels a touch hypocritical. The image shown here has according to Wikipedia been 'defaced by a paintball gun’. Actually the 'defacing' is quite effective as it looks as if someone has shot at the people with a paint gun, which itself could be interpreted artistically (in fact, I didn't know it was 'defaced' until I looked it up). Admittedly if all someone does is scrawl a tag over it, it's not a great contribution. But even so, I'm not sure we have any right to complain. The artists in question need to expect that their audiences may abandon the reverence that is adopted by the audience for traditional art. This occurred to me when a friend was describing attending a play at Bristol's fairly avant garde Old Vic Theatre. Apparently the performance was of a Samuel Beckett radio play, and a
I have been a fan of the British fantasy writer Alan Garner since meeting him, age 11. Garner attended the same school as me (significantly earlier), and came to give a talk, not to a huge auditorium but just a classroom of young readers. For nearly a decade he brought out books that almost perfectly aged with me in their target audience, from The Weirdstone of Brisingamen to Red Shift (with the last we parted company as I found it too depressing). I was sufficiently fascinated by his books that I made a home movie in the late 70s visiting many of the locations used in them. For those who remember the copper mine on Alderley Edge used evocatively in his writing as a dark underground location, a friend and I (probably illegally) explored a bit of it - which is where the photos below come from. In The Weirdstone there is a strange booming noise in the mine, coming from the goblin-like creatures, which meant we did eventually decide to leave in a hurry when we heard a similar sound.