REVISIT SERIES -  An updated post from August 2015 I was interested to note a debacle started by  a dated US list  of top 100 science fiction and fantasy books. We'll come back to this furore over the suggestion that many of these books were 'shockingly offensive' in a moment, but first a couple of comments about the list itself. To me it seems a category error to conflate fantasy and science fiction - where most of their SF choices seemed sensible, I wouldn't have included over 50 per cent of the fantasy, which makes me suspect that there should be two separate lists. If we just concentrate on the SF books, there were inevitably some ridiculous omissions. No John Wyndham, for instance (probably reflecting this being a US list). No Alfred Bester, James Blish, Fred Pohl, Cyril Kornbluth or (if you want to be more obscure) no E. F. Russell. However it wasn't a bad list overall - no one will ever agree with everything in such a collection. So what about the  moaning ar...

As a writer I have (unsurprisingly) something of a bias towards the written word. I hate getting information from videos because they are so slow at putting stuff across - when I've had to do an online course with videos, I always use the transcript instead if available and get through it in half the time. I'm just not very visually oriented. But that said, I can of course see the benefit of graphics as a way of putting across a piece of information where words can be clumsy. When I help students and academics with their papers I always ask them to ensure that a figure, or diagram or chart adds something to the text. They should never be there simply because they feel they need one. However, when it comes to packaging it seems that graphic designers sometimes rule the roost and the result can be a mangling of the message. Take the graphic above. We've got two boxes - one red with a slash through it. That's obviously the 'don't do this' box. And the other is ...

When researching my book Brainjacking on the science of human use of story to inform, influence and manipulate, I came across an intriguing article in The Times . 'AI will read your mind sooner than you think' blared the headline on Rhys Blakely's piece. He describes the interpretation of signals from electrodes in the brain, processed by AI to help a disabled person be more independent, which is fascinating. But we are then told 'But what about the rest of us? Would you allow a computer direct access to your thoughts? The question isn't as far fetched as it once was.' Hype or accurate observation? Blakely describes an experiment at UC Berkeley where subjects were played music - with the help of AI it was possible for listeners to identify the music from processed brain signals, and even pick out some of the words. I looked into the detail of this experiment for the book. Firstly, given that introduction, you might think this involved detecting your brain activ...

REVISIT SERIES -  An updated post from August 2015 Recently I was berated on Facebook for appealing to authority. As it may not be obvious to everyone why this was a put down (as the picture makes clear it was), I thought it might be worth looking at the problem with authority in science - and why I wasn't actually falling for this failing. Arguably the biggest issue with Ancient Greek science, an approach that spread its way through most of the medieval period, was the dependence on authority. Just as we still do in law cases, most classical natural philosophy was decided by argument rather than by experiment or analysis. If someone repeatedly won the argument on a topic they were regarded as an authority and in some cases - Aristotle is the most obvious example - considered a source of wisdom on pretty well everything as a result. Hence the infamous suggestion that women had fewer teeth than men because Aristotle said it was so, and no one bothered to check. (Actually I am sure p...

No, not the Magic Roundabout that was a teatime treat on TV many years ago. And not Nikola Tesla either. We are taking about the US electric car company and one of the best-known features of my home town Swindon - our Magic Roundabout. The reason for this post is that Tesla has been doing some testing of fully self-driving cars in the UK, and a test site they have publicised is getting across the Magic Roundabout. We inhabitants of Swindon are rather proud of our ability to fearlessly cross the Magic Roundabout, but it certainly puts an aspect of nervousness into many who encounter it for the first time. What can be scary about a roundabout? Because it isn't really that at all - it is five mini-roundabouts joined together by very short sections of roadway. The diagram alongside shows the layout of the roundabout, and two possible routes for getting from the bottom left road to the right hand one. This is what makes it so much fun. You can go whichever way you like around the whole...

I am somewhat amazed that, despite having read all 10 main novels in the series, this is the first of Ben Aaronovitch's Rivers of London series that I've reviewed. It might seem odd that a book in a series with that title is set in and around Aberdeen, but you need to realise that the 'rivers' in question are genii loci - spirits of a river, one of whom is present. What I love about the series is that it combines police procedural (Aaronovitch delights in details like airwave radios and stab vests) with magic. In the early books, the central character, DS Peter Grant, is a newbie to the whole magic world, but ends up posted with a specialist unit dealing with magical threats (and trying to drag them into the twenty-first century). This time round, the oddities include dangerous magical beasts, kelpies and mermaids. This is, unfortunately, probably the weakest in the series. In part this is because Aaronovitch splits the first person narrative between Grant and his niec...