Skip to main content

Operational what?

For a good number of years I was employed in Operational Research (OR).  There was a running joke among those involved in the discipline at British Airways featuring a conversation at a party.

Someone asks you what you do and, after about five hilarious attempts to explain it, the person in the joke says 'I work with computers.' These days my attempt at a short explanation is something like 'it was developed during the Second World War as a way of using maths to do things like calculate the most effective pattern to drop depth charges. But now it's used by organisations to solve business problems.'

The little squeezy plane above is from an anniversary get-together which I'm shocked to realise was three years ago. But I've had more recent OR action from a connection with Lancaster University, where I took my MA in OR many moons ago. I visited the university a year or so ago as part of its 50th anniversary celebrations and was delighted to meet up with one of my old lecturers, Graham Rand. As well as showing me around, he mentioned that the Operational Research Society was starting a new magazine called Impact which would be featuring articles on what's happening in today's OR.

I've contributed a couple of articles for the magazine, which has given me a great opportunity to revisit OR and find it still live, well and doing interesting things. The magazine is aimed at the general reader, rather than practitioners, so well worth a look. Fittingly, the first piece I wrote for them, featured on the cover of the first edition, is about a current use of OR in British Airways.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...