Skip to main content

The Thursday Murder Club - Richard Osman ****

Until recently, I'd classified Richard Osman's cosy murder mysteries as 'not worth reading as it's only successful because he's on the TV'. But a friend's write up persuaded me to give them a try - and I confess they are better than expected, if not what I expected. 

I'm reviewing the first two books in the series together here because the first, The Thursday Murder Club, feels as if Osman hasn't quite decided what he's writing, while it becomes much clearer in the second book. After reading that, my impression of the first improved significantly.

The basics sound more than a little silly. A group of four OAPs in a retirement village attempt to crack old, unsolved murders as entertainment, but this activity draws them into sorting out a current case with the help of a pair of friendly police officers. (It also helps that one of the OAPs is ex-MI6.)

What we get in that first title is a perfectly reasonably cosy murder mystery (a genre I generally enjoy) with some well thought out commentary on the nature of aging, loss and dementia. Osman effectively deploys short chapters to encourage 'just one more'. However, I did also have some issues. It's written in a particularly irritating present tense. The plot is a touch confused. And though the cover quotes ooze about how funny it is, I didn't find that all. The humour is primarily either 'aren't old people funny stuff', like the 'What is this Instagram thing?' type diary entries from one character (which diary sections unfortunately continue through the entire series), or 'Isn't it funny when old people pull one over on someone younger by foiling expectations.' I found it more patronising than funny.

These negatives remained in the second title The Man Who Died Twice, but could be almost entirely dismissed because the caterpillar of volume 1 turned into a butterfly in volume 2. It now became far clearer that these aren't really cosy murder mysteries at all. They are Enid Blighton's Famous Five books, reimagined for grownups. A gang who the world discounts (substitute OAPs for children) take on spies, international criminals and the rest and overcome thanks to their wit, pluck and a degree of unexpected subversiveness. With this perspective, I have become a fan. 

There's really no need to go into plots, or characters, any more than there's a need to do so with a Famous Five book. It's a fun, pure escapist read - with the added benefit of Osman's impressive grasp of the difficulties of growing old, combined with the release some older people feel from the pressures facing younger people. 

See all of Brian's online articles or subscribe to a weekly digest for free here
You can buy The Thursday Murder Club from Amazon.co.ukAmazon.com and Bookshop.org and The Man Who Died Twice from Amazon.co.ukAmazon.com and Bookshop.org

Using these links earns us commission at no cost to you

Comments

  1. I too thought the first book "beneath me" as a GAD reader - but I enjoyed it immensely, and have got the second book on the "to be read soon" pile!

    ReplyDelete

Post a Comment

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...