The structure is broadly chronological, though there are occasional thematic leaps forward in time, with the paradigm shift coming post-war when the Lord of the Rings and its endless league of copycat stories changed the way fantasy was handled (though Roberts doesn’t ignore, for instance, Paradise Lost, the genius of Lewis Carroll or now largely ignored earlier fantasises such as The Water Babies). Although the strong British or European influence is obvious in much fantasy, apart from obvious allegory, such as in the Narnia books, I wasn’t aware how much Christian influence there was (including, of course, on Harry Potter - humorous given the anti-witchcraft backlash it received in some parts).
Inevitably in a book like this there will be plenty of omissions, including, I suspect, many readers’ pet titles. Roberts explicitly points out this is a short history (though this doesn’t mean it’s shallow), not a comprehensive encyclopaedia. However, I do think there is one significant omission, which is to my mind the best of fantasy - where it’s set in the ordinary, everyday world. (I refuse to use the term ‘magical realism’ which seems to me the same kind of weasel words as calling science fiction ‘speculative fiction’.) It’s not entirely omitted. There is reference, for example, to the wondrous Mythago Wood, but this does mean we miss out on so much.
For example, we don’t get Ray Bradbury’s beautiful Something Wicked This Way Comes. There is no mention of Robert Rankin. Although Alan Garner is included, no mention of his real world fantasy masterpiece, The Owl Service. When venturing into TV, we get the inevitable Game of Thrones, but not the ultimate TV fantasy show, Buffy the Vampire Slayer. And though Gene Wolfe gets a short section, it is only for his Sword and Sorcery ‘New Sun’ books, not the (to my mind) much better real or mixed world fantasies such as There are Doors (only a passing reference as a portal book), Free Live Free, Castleview and so on. And then, of course, we miss out on the hugely successful fantasy policing crossovers such as the Rivers of London series. A real shame.
One other moan is that the book was poorly edited: a considerable number of typos slipped through. But that doesn’t take away from the excellence of what we do get. I learned a lot and found the book full of insights. Recommended for fantasy fans.
You can buy Fantasy: a short history from Amazon.co.uk, Amazon.com and Bookshop.
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email free here
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