Skip to main content

The Jonathan Creek effect

One of the joys of having Netflix is being able to revisit old series and enjoy them again, and I've been working through Jonathan Creek, which despite sometimes being extremely irritating in its implausibility is, nonetheless, highly entertaining. However there is one flaw in its approach that is all too common in detective and problem solving stories - and it happened again in the Challenger TV movie about Richard Feynman the other day.

In a typical Creek episode, our hero will be trying to work out the solution to the locked room mystery, or whatever the problem is, and suddenly he will see something, or his sidekick will mention something, that sets off a flashbulb of inspiration. In the Challenger story, the Creek moment involved some cryptic reference to Ivory Soap (or some such US product), which made Feynman's Yorkshire wife (who had probably never heard of it) instantly spout some advertising slogan, which then triggered Feynman's imagination. As with the Creek, I say baloney. Inspiration is so infrequently like that.

The fact is that, on the whole, when someone comes up with an idea to crack a problem it just comes to them. It doesn't depend on seeing a ladder leaning against a wall, or hearing someone talk about pot noodles. It just comes. It's not that creative thought can't be triggered. There are all sorts of creativity techniques to do this - including the one I use most, which is to take the dog for a walk. But the technique does not present you with the solution, it gives you a different starting point.

But it is rare indeed that someone accidentally comes up with a direct pointer to the solution. I'm not saying it doesn't happen. Famously, for example, the chemist Kekulé came up with the structure of the benzene ring after having a dream of a snake eating its tail. But this kind of thing is very unusual, which is why it makes for a good story (and even this was an internal prompt - he didn't see an actual snake eating its tail, which would be the Creek equivalent). The frequency with which this occurs to Mr Creek (and many other on-screen problem solvers) is just so ridiculously high that it is irritating and nothing more.

So stop it, writers, okay? Don't be so predictable. Get a grip.

Image from Wikipedia


Comments

  1. The problem with much fiction is that is goes to unlikely extremes in the plot. Take "Midsomer Murders" for example. The murder rate in this sleepy village exceeds that of the worst inner-city crime areas of the UK. :)

    ReplyDelete
  2. Indeed - I think suspension of disbelief is the order of the day!

    ReplyDelete

Post a Comment

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...