Skip to main content

The dark side of Footlights

We're used to the Cambridge dramatic society Footlights being a breeding ground for media humorists - the source of many of the UK's comedy greats over the years from Monty Python and the Goodies to the likes of David Mitchell and Richard Ayoade. But what's not quite so well known is the distinct lack of humour exhibited by some of its members back in the heady 1970s.

When I was at Cambridge, probably the most feted Footlights show was a frothy little number called Chox from 1974. The cast featured Clive Anderson (at the same college as me, though I don't think we ever spoke), Geoffrey McGivern, who played Ford Prefect in the radio version of Hitchhiker's Guide to the Galaxy, and Griff Rhys Jones. And amongst the writers was Douglas Adams himself.

Now I confess that I never saw Chox - to be honest, to most of us, the Footlights crew were considered a bit up themselves, though clearly some of them turned out okay. In fact it was much more trendy to go the Medical Society review, which was widely thought to be more edgy and genuinely funny. And this was never more so than it was that year. Because, in a stroke of genius, the Med Soc gang used a very similar poster to Footlights, but added a load of red spots, and named the show Pox.

Brilliant humour, yes? Only the funny guys at Footlights didn't see it that way and either sued, or at the very least threatened to sue. (It's a long time ago - details on that are a bit fuzzy.) Either way, it was hardly the right way to respond to an affectionate spot of snook cocking. The Med Soc show itself was mixed, but certainly had some decidedly funny bits. I've no idea if it produced any famous funny people - a lot do start off as medics - but I just think it's useful to put the glamorous associations of Footlights into context.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...