Is this the best of SF?

SF greats, ancient and modern

I was interested to note a debacle started by a US list of top 100 science fiction and fantasy books. We'll come back to this furore over the suggestion that many of these books were 'shockingly offensive' in a moment, but first a couple of comments about the list itself.

To me it seems a mistake to conflate fantasy and science fiction - where most of their SF choices seemed sensible, I wouldn't have included over 50 per cent of the fantasy, which makes me suspect that there should be two separate lists.

If we just concentrate on the SF books, there were inevitably some ridiculous omissions. No John Wyndham, for instance (probably reflecting this being a US list). No Alfred Bester, James, Blish, Fred Pohl, Cyril Kornbluth or (if you want to be more obscure) no E. F. Russell. However it wasn't a bad list overall - no one will ever agree with everything in such a collection.

So what about the moaning article in the New Statesman (pointed out to me by Niki Gamm), which berates this list? One complaint in the article is that most of the SF books are pre-1990s. I think this, to be honest, is entirely reasonable. I struggle to name more modern authors other than Banks and Stephenson who are truly great. I do wonder if it's because a lot of the best SF is about surprising the reader with really original ideas, most of which had been played out by the 1980s.

The other complaint, the one that makes the books in the opinion of the article's author 'shockingly offensive' is that a lot of them appear sexist. I'm sorry, but to complain about this is revisionist nonsense. You can't apply the standards of the day to the past. You might as well take offence at the sexism, racism and anti-semitism in Dickens and Shakespeare. I'm afraid it shows little imagination in the reader if they can't read a book in the context of the time in which it was written.

You might as well moan that the science and technology in old science fiction is pretty well always wrong. Of course it is. And it certainly can be amusing. For instance, Blish notes that it's impossible for electronics to work near Jupiter because the gravitational pull is so strong it would crush the valves (vacuum tubes). However it would be silly to downgrade the status of a story just because it contains such an issue. It's certainly true that there are some pre-Enlightnment II books that I find it difficult to read now because science, sexism or racism issues are so badly handled - but that doesn't apply to many in that top 100 list on the SF side (I can't comment on the fantasy).

I think it's great that we don't have the same problems with sexism, racism etc. in modern writing as used to be the case. But to arbitrarily dismiss something written before attitudes changed simply because it fits with the values of the present seems a patently naive view.

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5. However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...

Search This Blog