Skip to main content

Science Fiction at its finest - The Thing Itself - Review

This latest book from the master of intellectual science fiction, Adam Roberts, is a mind-bending delight - and nothing like the combination of the title and the cover suggests (yet even this deception is not entirely straightforward). Anyone versed in the genre would instantly make the leap, with the combination of 'The Thing' and a polar setting, to the classic science fiction film The Thing - and indeed Roberts does make a passing bow to this in the opening of the book. However, the monster in the movie is about as crude as they come - here, what we experience as alien is both horrible and transfigured as a possible reality for the concept of god.

Another classic theme we meet in the book is SETI - the search for extraterrestrial intelligence - but, once again, Roberts subverts the standard genre concepts. Here what is alien is not just not-human, but involves a different perception of the universe itself.

The way that Roberts makes this near-impossible portrayal of something truly alien come to life is to invoke the work of Immanuel Kant, where the 'Thing Itself' in the title is not so much a monster in the manner of the movie, but Kant's concept of the 'Ding an sich', which seems to be rather like Plato's world outside the cave where we only perceive via the shadows we see in the cave. However, in Kant's case this is taken to an extreme, where human perception of aspects of the universe like space, time and causality are simply our veneer on the underlying 'thing itself' which could be perceived totally differently by an alien species.

If this all sounds a bit heavy, it can be in places. There certainly is an awful lot of exposition and discussion of Kant and the relevance of his ideas to physics - and the implications of finding a way of messing around with the 'modalities' we perceive like space and time. In fact, while I'm in warning mode, I ought to also say there's a lot of sex of various ilks, and the book has my least favourite structure for a novel, having a main storyline in alternate chapters with a series of apparently unconnected chapters set in other times and places. I always find with this kind of structure that I want to get back to the main thread and tend to skip-read the intervening chapters - not helped in this case by one of them being written in a Joyce-like stream of consciousness that I really couldn't be bothered with.

So, without doubt this book is sometimes hard work. But it repays the effort of reading because it is so cleverly written (those apparently unconnected chapters slot nicely in by the end), because nothing is what you expect it to be, and because the idea of taking Kant's metaphysical waffling and turning it into science fiction is absolutely genius, producing one of the few ever glimpses I've ever seen of something truly alien in science fiction. And part of it is set in Swindon. What more can you ask?

I ought to briefly say something about the 'science fiction' label. One of the reviews quoted on the back of the book says 'in the tradition of Swift, Orwell and Atwood', which smacks to me of someone in typical literary fashion considering that something is 'not really science fiction' if it is well written and clever. It's a bit like the way I was recently interviewed about science fiction by a journalist who said that something I referred to presumably wasn't science fiction because there were no ray guns and spaceships. I am absolutely sure that Adam Roberts would proudly say that this book really is science fiction, and so he should, because this is classic SF material.

I can say without any doubt that this by far the best science fiction book I've read all year. I can also say that it won't be to everyone's taste - so don't blame me if you don't like it - but to some it will be a revelation of what science fiction can be. This is the kind of science fiction that should be winning the Booker Prize. Simple as that.

The Thing Itself is available from amazon.co.uk and amazon.com.
Using these links earns us commission at no cost to you  

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...