Skip to main content

Review: Treacle Walker - Alan Garner *****

Alan Garner is, without doubt, one of the UK's greatest fantasy writers. I was privileged to grow up with his books, which aged in audience as I did, peaking for me with The Owl Service. Garner also visited my (and his) school, which the book is dedicated to, when I was 12, a really important moment in my young life. But I lost some enthusiasm with his adult titles, which were both difficult to follow and depressing. However, now well into his 80s, Garner has produced what is arguably his best yet.

Although Treacle Walker is a very compact book in large print, it is so intensely written that it still has considerable heft - I've seen it described by someone as poetry, and although I wouldn't personally say that, like the best poetry it does pack a huge amount into relatively few words. The book's protagonist is a young boy, but this is not a children's book. The closest parallel I have is Ray Bradbury's wonderful Something Wicked This Way Comes - the book captures much of the essence of childhood, but does so in a way that appeals to the nostalgic side of an adult who can see far more in it than a young reader.

Like all Garner's work a sense of place and time is hugely important. As someone brought up in Lancashire, the use of language from Garner's Cheshire youth evokes many memories, though you don't have to have that background to appreciate it. Just the references to donkey stones and rag and bone men, for example, bring so much back. There is even a reference to the old Pace Egg plays performed by mummers in the North West, when a character of Garner's says 'I have been through Hickety, Pickety, France and High Spain' - compare this with the doctor's claim in the traditional Pace Egg play to have travelled 'Through Italy, Sickly, High Germany, France and Spain'.

At one level, the book is a folk fantasy, and of course Garner does this brilliantly well. He has always combined local material with wider ranging concepts (for example the use of Ragnarok in his first novel), but never more so than here, where one of the elements, also featuring on the cover, is the white horse at Uffington, a powerful image, coincidentally situated near where I now live. But there is also more going on, particularly in the ending, suggesting a totally different take on what has occurred with a distinctly darker undercurrent.

Overall, this is a masterpiece, a book I will re-read many times. If it is a swan song, then like the legendary original it is something of intense beauty. Remarkable. 

Treacle Walker is available from Bookshop.orgAmazon.co.uk and Amazon.com.

Using these links earns us commission at no cost to you

See all of Brian's online articles or subscribe to them for free here.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's recent gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some ex

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Which idiot came up with percentage-based gradient signs

Rant warning: the contents of this post could sound like something produced by UKIP. I wish to make it clear that I do not in any way support or endorse that political party. In fact it gives me the creeps. Once upon a time, the signs for a steep hill on British roads displayed the gradient in a simple, easy-to-understand form. If the hill went up, say, one yard for every three yards forward it said '1 in 3'. Then some bureaucrat came along and decided that it would be a good idea to state the slope as a percentage. So now the sign for (say) a 1 in 10 slope says 10% (I think). That 'I think' is because the percentage-based slope is so unnatural. There are two ways we conventionally measure slopes. Either on X/Y coordiates (as in 1 in 4) or using degrees - say at a 15° angle. We don't measure them in percentages. It's easy to visualize a 1 in 3 slope, or a 30 degree angle. Much less obvious what a 33.333 recurring percent slope is. And what's a 100% slope