Skip to main content

Science fact with a touch of fiction

As a science writer, I'm always trying to find ways to make science more approachable. When I recently interviewed teacher and science communicator Alom Shaha, he suggested that being brought up in a family and with teachers who had a positive attitude to science - and who considered it fun, not a chore - had a significant impact. Inevitably this means that the old C. P. Snow 'two cultures' thing rears its head.

I brought the two cultures into an article for the Royal Literary Fund on why I thought science fiction is considered not to be in the first rank of writing by many of those in the literary world. And it was writing this that inspired me to attempt to use a touch of science fiction as a bridge to make popular science more approachable in my latest book, Interstellar Tours.

This is a book on the science of what's in our galaxy, from black holes and supernovae to planets and nebulae. There have been plenty of such books, but often they feel rather detached from reality, unlike a title, say, on quantum physics, where there are clearly connections to everyday technology. So rather than simply describe the amazing phenomena in the galaxy, I use a fictional starship to take the reader on a galactic tour.

The other difficulty I wanted to overcome was the visual. There are broadly two types of popular science book. The 'straight' ones, which have hardly any images, and the illustrated ones where the images tend to dominate, only allowing for relatively simplistic text. On my imagined starship there is a viewing wall that enables the passengers to see outside as if there were no metal in between. I wanted to write a 'straight' book - so the 50+ images and videos are in an associated website and can be accessed by a web link or QR codes on the page.

I realised when doing this that not everyone would like it. But it makes it possible to provide far better illustrations than you would otherwise find in a full-text book - and you can view them wherever you are, whether it's on a phone from the QR codes, or by going to the website with a large screen and clicking the 'Next' button to move on when the next view turns up in the book. It's not a perfect solution, but I hope it will make the book more interesting.

To accompany the book, in a couple of weeks' time I've got the first in a series of talks based on it at the delightful Sidmouth Science Festival on 15 October 2023, followed by Taunton Literary Festival on 7 November. More talks on the way, ranging from the Festival of Tomorrow to the Royal Institution - details to follow.

See all of Brian's online articles or subscribe to a weekly digest for free here

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's recent gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some ex

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Which idiot came up with percentage-based gradient signs

Rant warning: the contents of this post could sound like something produced by UKIP. I wish to make it clear that I do not in any way support or endorse that political party. In fact it gives me the creeps. Once upon a time, the signs for a steep hill on British roads displayed the gradient in a simple, easy-to-understand form. If the hill went up, say, one yard for every three yards forward it said '1 in 3'. Then some bureaucrat came along and decided that it would be a good idea to state the slope as a percentage. So now the sign for (say) a 1 in 10 slope says 10% (I think). That 'I think' is because the percentage-based slope is so unnatural. There are two ways we conventionally measure slopes. Either on X/Y coordiates (as in 1 in 4) or using degrees - say at a 15° angle. We don't measure them in percentages. It's easy to visualize a 1 in 3 slope, or a 30 degree angle. Much less obvious what a 33.333 recurring percent slope is. And what's a 100% slope