Skip to main content

The sad fate of the bound proof

Some have boring covers, others look like the
real thing, but there's usually a clue...
What do you call a book that's not a book? A bound proof (or if you are American and like a good acronym, an ARC, standing for Advanced Reading/Reader Copy).

It sort of makes sense. While I, as a reader, would always prefer to read a finished copy of a book, the publisher likes to get reviews in as early as possible, particularly if the reviewer is likely to provide snappy remarks to put on the cover. So quite often, before the book is actually produced, they will typeset and bind as a paperback the uncorrected proofs and send them out to eager reviewers.

The reviewer reads this not-quite-a-book as usual and produces his or her words of wisdom. But what to do next?

With a real book I have two choices. If I love it, I put it on the shelf for future re-reading. But shelf space is very limited and I can only do this with 2 or 3 books a year, where I review about 50. The rest, I'm afraid, I resell. Some people mutter about a free copy being sold, but short of putting it in the recycling, whatever I do will result in that free copy going on the market. And bearing in mind I don't get paid for the reviews I do for www.popularscience.co.uk, I don't think this is an unreasonable thing to do. (It's not just me. One of my favourite bits of Brian Aldiss's excellent autobiography, Bury My Heart at W. H. Smith is his description of John Betjeman regularly coming into the bookshop Aldiss worked in with a pile of review books to sell on.)

However, with a bound proof I am faced with much more of a quandary. I don't really want to keep it, even if it is a great book, because it's not the real thing and doesn't look good on the shelf. And I can't sell it or even give it away. So they really do end up in the recycling. And that feels awfully sad.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...