Skip to main content

The brilliance of stuff that just works

The ticket as it popped up on my
phone (original not pixilated)
A few years ago, when I first moved over to using Apple, a friend of mine who likes to get up to his elbows in the technology, tweaking this and twerking that, said 'I could never live with that walled garden.' He wasn't talking about some rural pleasure grounds, but rather the way that Apple rigidly controls what does what on its devices.

I can see the point if you are the sort of person who likes to nurgle around changing settings and writing macros and linking box X to widget Y to make things just the way you want them. And I probably was that person in my 20s. But now I just want things to work together, and with a few notable exceptions, the good thing about using Apple is that it all does.

I just had an example of that. I had received an e-ticket notification from Eurostar. On the email it said 'click here to download your ticket'. I did this on my iMac. Up popped a web window showing the ticket. This had a link on it saying 'Click here to send the ticket to your wallet.' Yeah, right, I thought. So I clicked the link. And five seconds later, there was a ticket sitting in the Wallet app on my phone.

I'm not saying this wouldn't necessarily work as well with Android or Windows - it may well do so. But for me, that ability to click a link on my desktop and have a ticket appear as if by magic in the wallet on the phone is why the walled garden can be a lovely place to live.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense