Skip to main content

Superheroes are not science fiction

Time for a short rant. 

I occasionally peruse Apple's News app, which puts stories under topic headings. Recently one such topic was 'Science Fiction' - and it included something about a new Marvel superhero film.

In practice, the majority of films that are labelled science fiction are really sci-fi - an approximation to the real thing with very little attention to the science, or for that matter to decent fiction. For that matter, I loved the first Star Wars - but it was a fairy tale with SF trappings, not the real thing. However, the majority of superhero movies are not even bad science fiction.

While Iron Man and Batman, for example, just about makes into sci-fi (though in practice they break the laws of physics with painful regularity), the vast majority of superheroes are out-and-out fantasy characters. Their abilities are nothing more or less than magical. There is no possible real-world explanation for them. 

Again, this isn't a criticism per se. I enjoy a good fantasy story (though if SF movies are sci-fi, film fantasy is usually fant-fi, were there such a term). 

But we shouldn't pretend superheroes are something they're not. Their stories are fantasies.

Rant over.

Comments

  1. I totally agree with you. I been watching these films in the movie theater since the first Tim Burton Batman. I still read comics, although not superhero ones, for the most part. I read Frank Miller's Dark Knight when it was originally released. It was completely overrated. The British comics writer Alan Moore is more to my taste. There are better real Sci-Fi comics like the web based Mare Internum by Der-Shing Helmer or Sentient by Jeff Lemire. Movies should be made from those, but I guess the bangs and flashes and all of that larger than life garbage is what the people want.

    ReplyDelete

Post a Comment

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's recent gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some ex

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Which idiot came up with percentage-based gradient signs

Rant warning: the contents of this post could sound like something produced by UKIP. I wish to make it clear that I do not in any way support or endorse that political party. In fact it gives me the creeps. Once upon a time, the signs for a steep hill on British roads displayed the gradient in a simple, easy-to-understand form. If the hill went up, say, one yard for every three yards forward it said '1 in 3'. Then some bureaucrat came along and decided that it would be a good idea to state the slope as a percentage. So now the sign for (say) a 1 in 10 slope says 10% (I think). That 'I think' is because the percentage-based slope is so unnatural. There are two ways we conventionally measure slopes. Either on X/Y coordiates (as in 1 in 4) or using degrees - say at a 15° angle. We don't measure them in percentages. It's easy to visualize a 1 in 3 slope, or a 30 degree angle. Much less obvious what a 33.333 recurring percent slope is. And what's a 100% slope