Skip to main content

Revenge of the boffinophiles

I was going to call this post ‘lovin’ a good boffin’, but it felt too much like a double entendre. 

The term 'boffin' is an outdated British term for a scientist, which now only crops up in tabloid newspapers. It's an affectionate term, but with an element of mad scientist about it. For some time now, the Institute of Physics has been running a campaign to 'bin the boffin'.

In a Physics World article, Rachel Youngman puts the case for binning the boffin: 'We believe that boffin is a lousy way to talk about scientists. The term has negative impacts – it is poorly understood, strongly associated with the male gender and is confusing. When we surveyed our members last year, they told us that the term was unhelpful and inaccurate, with younger members stating it actively puts them off science.' You might wonder, if they were put off science what they're doing being members of the Institute of Physics, but that's a different story.

I love the Institute of Physics (and their magazine/website Physics World) dearly - but there is a real danger of coming across as humourless, perhaps even po-faced, in this campaign. You don't stop people using a nickname for you that you don't like by moaning about it - that just makes people double down. And there's even an argument that it's not a bad name for a certain kind of scientific announcement.

Part of the IoP's campaign involves publicising the week's 'best worst example of boffin in the media'. One week in October the headline they picked up on was ' Boffins use science to calculate the scariest scenes in horror movie history'. To be honest, when someone (usually a PR company who get the assistance of a gullible scientist) comes up with this kind of pseudoscientific guff, they deserve to be labelled boffins (or something far worse).

The IoP's PR effort is made for the best reasons - and Youngman describes it as a 'good-humoured call', noting that they aren't seeking to ban the word: 'If a pub quiz team, say, wants to be called “Brilliant boffins” that’s fine and if scientists don’t mind the word, then we would consider that a matter of personal taste.' If it is indeed true that 'boffin' conjures up an image of only one kind of scientist (white, male, lab coat...), then it's not ideal for general use. But to be fair, it isn't in general use and hasn't been since the 1950s. The word didn't originally mean a scientist at all - it was a term for an elderly naval officer in the early years of the Second World War, that expanded to mean someone in backroom science and technology, who was away from the military front line, particularly those developing radar. It was already dated by the 1970s.

For me, the campaign distracts from the message of science. When my Twitter/X list about science is full not of science stories but stories about whether people are using the right words, I don't think that science does itself justice.

Image from Unsplash/National Cancer Institute - n.b. boffin images should always be black and white

See all of Brian's online articles or subscribe to a weekly digest for free here

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's recent gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some ex

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Which idiot came up with percentage-based gradient signs

Rant warning: the contents of this post could sound like something produced by UKIP. I wish to make it clear that I do not in any way support or endorse that political party. In fact it gives me the creeps. Once upon a time, the signs for a steep hill on British roads displayed the gradient in a simple, easy-to-understand form. If the hill went up, say, one yard for every three yards forward it said '1 in 3'. Then some bureaucrat came along and decided that it would be a good idea to state the slope as a percentage. So now the sign for (say) a 1 in 10 slope says 10% (I think). That 'I think' is because the percentage-based slope is so unnatural. There are two ways we conventionally measure slopes. Either on X/Y coordiates (as in 1 in 4) or using degrees - say at a 15° angle. We don't measure them in percentages. It's easy to visualize a 1 in 3 slope, or a 30 degree angle. Much less obvious what a 33.333 recurring percent slope is. And what's a 100% slope