Skip to main content

Houdini's psychology fail

I'm currently enjoying Tim Harford's three part series on Houdini on his Cautionary Tales podcast. Although best remembered as an escapologist, in the later part of his life, Harry Houdini included a section in his act that involved unmasking spirit mediums as fake.

Earlier, Houdini had become friends with Arthur Conan Doyle, who became a fervent spiritualist and whose wife was a medium. Apparently, in one final attempt to persuade Doyle of the folly of his beliefs, Houdini did a demonstration for Doyle in his New York apartment. He hung a small blackboard from the ceiling out of reach, asked Doyle to to go out of the apartment and write a message on a piece of paper. When Doyle returned, Houdini got Doyle to stick a cork ball soaked in white ink on the board - to Doyle's amazement, the ball then wrote out his message (the Aramaic phrase Mene, mene, tekel, upharsin - mentioned in the Bible's book of Daniel) on the board.

Houdini did this to demonstrate how the apparent abilities of spirit mediums could be reproduced and even bettered by using a magic trick. Doyle, unfortunately, simply didn't believe Houdini's denials and thought it was the act of a genuine medium.

But here's the odd thing. To be a stage magician you need to be a good psychologist. Yet it was almost inevitable that this would be the outcome. Houdini told Doyle he wasn't going to explain to him how the trick was done - Doyle had to take Houdini's word for it that it was faked. In my recent book Brainjacking, in a chapter on deception, I look at how Derren Brown describes using psychology to build the impact of a simple trick. But this only really works because in his book, as part of doing so, Brown describes how the trick works. 

You might say, 'But magicians can't explain their tricks, or they lose their mystique'. However, it seems that Houdini had learned magic originally from a book. And there was nothing to stop him saying to Doyle he would tell how the trick worked as long as Doyle - a gentleman who wouldn't break his word - swore not to tell. The only way this 'proof' would have succeeded was if Houdini had thought a little more about the psychology of his interaction with Doyle. Things could have ended very differently. 

If we are to unmask deception (or disinformation) we need to be careful not to be practising deception ourselves as part of the attempt.

Image from Unsplash by The National Library of Wales

These articles will always be free - but if you'd like to support my online work, consider buying a virtual coffee or taking out a membership:

See all Brian's online articles or subscribe to a weekly email free here

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...