Skip to main content

Dual flushed away

One of our dual flush controls, earlier
Now here's the thing. Any modernish toilet in the UK is obliged to be dual flush. The idea is that, should you not want a great deluge of water, then you can opt for a lightweight flush, thereby reducing your water consumption, saving the whale and generally being ecologically friendly and getting a gold star. And I have nothing against that. But as someone who has always taken a great interest in user interface design, the design of most dual flush controls is downright useless.

Take, for example, the dual flush control illustrated, on one of our toilets (yes, we have more than one - aren't we des res?). Clearly there is a big friendly button and a smaller rectangular bit. My guess is that pressing the big button without the rectangular bit is a small flush, but pressing it with the rectangular bit is a large flush. But it is a guess, because there is nothing about the controls that indicates what they do. There's no reason why, for instance, pressing both shouldn't mean 'special economy flush'.

It's also a guess because, frankly, there is no obvious distinction to the amount of water that flows whether you press just the big button or both of them. In fact I sometimes suspect toilet manufacturers don't fit dual flush at all - they just fit dual buttons and hope no one notices that they don't do anything different.

Failing to make controls obvious is a common enough design fault. Think, for instance, of the controls of a four burner cooker hob. Usually the hob is arranged with the burners in a rectangular array, but nine out of ten times, the controls are in a nice straight line. Because the designer thought it looked neat. But this means it is impossible to deduce which control is for which burner - and the manufacturer accordingly has to give us an instruction book, in the form of little graphics we have to check to see which control does what. If they had put the controls in a rectangle too, there would be no need for instructions.

In the case of dual flush, the design is doubly disastrous, because not only is not obvious what to do, there usually isn't even a graphic to instruction you what the controls mean. It's guesswork all the way. It's easy enough to design a triple flush with no instructions. You have a big button split in half unevenly. The small part does a small flush, the big part does a big flush and pressing the whole does a royal flush. It's a little harder to design a dual flush control that is obvious from the shape of the control on its own, though I believe it is possible, but simply engraving a + on the square button (if that's what it means) would at least bring the flush control up to the level of a cooker.

Come on, sanitary ware gurus. Get your fingers out.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...