Skip to main content

You don't have to be a sadist, but...

I was recently doing an interview about science and science fiction to support my recent book Ten Billion Tomorrows and along the way I had to explain that it's not surprising that fiction (science or otherwise) usually has bad things happening in it, because without problems and challenges, there's not much of a story.

This is something that is well-known in writing circles. Almost all fiction can be summarised as 'Obstacle arises or something terrible happens. Protagonist tries to deal with it.' He or she may, or may not succeed, but without those problems, there really isn't a story. 'People have a nice time,' simply doesn't work.

But what I haven't seen discussed before is what effect this constant need to make characters suffer has on the writer. As writers, we either want to, or have to, write. (For many writers it seems to be the latter. We don't seem to have much choice in the matter.) And to write fiction we have to put our characters in difficult positions and make them suffer. So does that make us virtual sadists, getting a kick out of the suffering of our invented personas?

To date, I have published two novels. The first,  a young adult SF novel, Xenostorm Rising, has a protagonist whose parents go into hiding, leaving him to fend for himself. YA authors frequently have to find ways to rip teenagers from the safety of their families, to give them the kind of independence that the Famous Five achieved simply by having a scientist uncle who didn't give a damn. Without that, the YA protagonists can't really do their stuff - but it does put the author in an unenviable position of having to either kill off or remove parents (or make them truly horrible), always a delicate task.

In the second of my novels, the murder mystery A Lonely Height, my central character, Capel, gets off pretty lightly (don't worry, he will suffer significantly more angst in the second book in the series), but of course it's inherent in a murder mystery that a fair number of the characters will be having a horrible time, and it's rare that the detective gets away with Midsomer Murders style domestic bliss for long. (I really wish that simpering wife would do something truly evil.)

Realistically, whenever we venture into fiction, the chances are that one or more characters is going to suffer. So, while you don't have to be a sadist to be a fiction author, it arguably makes the process of writing that bit more enjoyable if you are.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense