Skip to main content

Splice the mainbrace and read me a novel

Image modified from Wikipedia
Last year I had the pleasure of appearing at the Manx Literary Festival alongside other, more stellar literary luminaries including Chocolat author Joanne Harris. Generally, I find Joanne's words of wisdom on the writing life spot on - particularly her recent campaign to get writers paid for appearing at literary festivals (I'm pleased to say we were paid for the Manx Festival). However, I've got mixed feelings about her recent, interesting piece on piracy.

Don't get me wrong. I absolutely agree that piracy is wrong. People should pay for a book (or borrow it from a library) if they want to read it. I am not in any way condoning piracy.  Book pirates should be locked up and the key thrown away. Full stop.

The only point I'm not sure about is whether piracy is as much of an issue with books as it has been for music. There are two big reasons for this. One is that when music piracy was at its height there were glossy sites like Napster to get the free downloads, while there weren't easy ways to get paid downloads. By comparison there are easy way to get paid ebooks (though some publishers still stupidly price them as if they are hardbacks - I have some ebooks priced at over £13), but the pirate book download sites tend to be sleazy sites that feel as if they are going to give you a virus, and in many cases they will.

The other reason is the demographic of the customer base. The kind of people who tend to access the most music also tend to be the kind of people who are most likely to download pirate material. But the kind of people who read lots of books tend to be the kind of people who shy away from pirated stuff and prefer to be legitimate. It's a generalisation, I admit, but I think it holds true pretty well.

I get tens of alerts a week that pirate copies of my books have been put up. I used to pass these on to the publishers, who muttered that half of them didn't work anyway, but they'd work through them. Now I tend not to bother. I could be wrong, of course, but I genuinely believe that I am not losing many sales at all to pirates, and as such it's not a big issue for me. I still hate it. I still want it to stop. But for most authors I doubt that it has a huge impact on earning a crust.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...