Skip to main content

Loadsamoney?

I was reading in some authors' publication (I think ALCS News) that an author who writes for the teen audience asked the young people at his talk a question about how much money they thought he earned from booksales.

'You buy a book in a bookshop for £10,' he said. 'How much of that do you think the author gets?'

The most popular answer was 100%, followed by 50%, then 75%, which between them accounted for most of the replies. Now leaving aside the total lack of business sense in 100% (come on, guys, the shop has to make something out of this), it's still quite remarkable how much they believed authors get.

On a paperback, it is often 7.5% of net. Let's assume the bookshop gets a 50% discount - that means that on this £10 paperback, the author gets around 37p. I have to say, when I type that, even I find it shocking. To be fair, it's not always so bad. If you sell above a set number, say 10,000 copies, you might get 10 or even 12.5%, while hardbacks usually start at a higher percentage. But even so, on a £17.50 hardback an author will still only get around £1.

Now I know authors are always whinging on about money. It's an old charter or something. But the trouble is, with only the earnings of people like J. K. Rowling making the media, it's sometimes difficult to appreciate that we aren't all raking in vast quantities of cash. So do us a favour, guv. Buy a book.

Photo by Clare Dudman

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense