Skip to main content

Welcome back, Mr Galton

Nothing to do with eugenics, but a note by Francis
Galton that messed up Eadweard Muybridge's career

I was recently reading for review Lone Frank's interesting book on gene tests and their implications, My Beautiful Genome. It makes a point that really hadn't occured to me before, raised in a discussion between Ms Frank and Armand Leroi, the author of another interesting human biology book, Mutants. And it concerns the dark side of genetics.

Many aspects of science have their dark sides. Nuclear physics - wonderful... nuclear bombs - not so wonderful. Similarly, genetics has transformed biology, but its dark side is eugenics, the brainchild of Victorian scientist Francis Galton.

Eugenics has a kind of logic, but most people find it distasteful. The idea is that genes alone should be enough to determine who will have the best children, and so you should use genes to determine who should breed and who shouldn't. (That's a vast oversimplification, but it gives a flavour.)

What Leroi pointed out to Frank is that despite the fact that eugenics is a dirty word, we operate a kind of neo-eugenics, that is generally not regarded as a problem unless it is given that loaded name. Thousands of abortions are carried out every year of fetuses that have some detected defect, physical or genetic. What is this if it's not a kind of eugenics?

I think what this illustrates is the important consideration that labels are not good ways of making decisions. 'Eugenics' as a label comes will all sorts of baggage, and at its worst, the concept is despicable. But the fact remains most people are comfortable with the process described above. Applying moral decisions to science and technology is rarely a black and white process, and should never be based on labels alone.

Comments

Post a Comment

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...