Answering big questions from little people

What do David Attenborough, Noam Chomsky, Derren Brown, Bear Grylls, Miranda Hart, Heston Blumenthal (oh, and me) all have in common? They've all contributed to a great little book where assorted folk give answers to questions about life, the universe and everything by young people aged 11 and under, pulled together to form a solid little hardback. And to make things even better, the profits from the book go to the NSPCC.

Opening it at random, I can discover:

What is DNA?
How come planes don't crash in the sky?
Why are bumble bees disappearing?
Why do stars twinkle?
and
Who killed the last dodo?

Although the answers are phrased to be suitable for primary school children, many of the questions will entertain and test any reader. (Speaking of tests, there are some fun little quizzes towards the back.) The topics aren't all science - Miranda Hart, for instance, answers Why is it funny when someone farts? (okay, that is probably psychology, but there are also, for instance, history questions) - but science does rather dominate, which apart from anything reflects how interested young people are in science. If only we could keep that interest alive.

The only real criticism I have is the deeply unsatisfying answer to 'What is the whole point of science?' given by biologist John Gurdon, whose entire reply (to a 7-year-old) is 'Science makes continuous advances in the quality of life.' That's really not good enough.

It's a great project that I'm proud to have been part of, and makes a lovely present for primary age children.

You can see more at Amazon.co.uk and Amazon.com (hardback and Kindle).

Comments

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...

Search This Blog