Skip to main content

Lies, damned lies and viewing figures

I read in the i newspaper that Britain's Got Talent 'recorded the lowest audience figures in the show's ten year history.' How do they know? Because 'on average 8.5 million viewers watched the final... [recording] a peak audience of 10.5 million viewers.' But how can they know that? They can't - and worse still, the method of discovering it is far less reliable than it used to be.

These numbers are based on a sample. A few thousand brave volunteers register what they watch on little boxes - the data is then aggregated and multiplied up by various esoteric factors to try to make the sample truly representative. As polls often show, this kind of multiplying up has many problems and often doesn't work very well. But at least it was relatively simple when this system first started to be used. You either watched some or all of a programme, or you didn't.

Now the viewing audience is painfully splintered. We, for instance, hardly ever watch anything when it is broadcast. We either watch it recorded on a YouView box, or using catch up. And a fair proportion of the time we're viewing via more indirect streaming from the likes of Netflix. So, for instance, a couple of months ago, we watched Series 3 of Call the Midwife on Netflix. Even if we were part of the sample (which we aren't) there is no way that would count towards the viewing figures when it was first broadcast in 2013.

Of course not everyone watches the same way we do - but that's the whole point. For example, we hardly ever watch TV on phones or tablets - but some do all the time. This fragmentation makes the margin for error on the statistics potentially much larger. I have never seen any error bars on viewing figures (why not?) - but by now they must be pretty enormous. I honestly don't think the public is too thick to cope with a range rather than a single figure - and it would make the statistics far more honest than they currently are.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor...