Skip to main content

The Litmus test for science in fiction

I love both popular science and science fiction, and like the idea of lablit, fiction with a science setting that isn't science fiction per se. But there is another crossover between science and writing that ought to be great but that never quite makes it - this is fiction that has the intention of putting across a serious scientific message.

Every now and then we get a book for review at www.popularscience.co.uk that attempts to do just this. A good example was the novel Pythagoras' Revenge by Arturo Sangalli. The idea was excellent and Sangalli nearly achieved the desired result. It genuinely did put across the maths (in this case) in a more approachable way. Unfortunately the fiction itself wasn't great. And this seems to be the challenge that most attempts at doing this fall down on. Either the fiction is poor, the science isn't very good, or the whole thing comes across as too worthy and dull. It is clearly very difficult to do well.

So I had mixed feelings when I got a copy of Litmus, a collection of short stories illustrating science themes. You can see what I thought of the book by following the link to the review, but in summary it was another worthy failure. Many of the stories were either not very good, or so full of their own artistry that they obscured the science. The book tried to get around this by following each story with a little explanation of the science and historical context, but this made things worse. It broke the flow of the stories and poured on a rather condescending dullness.

I don't like to admit defeat in anything that is being used to popularize science. But I am beginning to think that using fiction to get across the message is doomed to failure because you have two such contradictory aims. Something rather similar seems to happen on TV show QI when someone on the panel who is into science starts to expound a little on a science subject. The other panellists typically start acting bored and the whole thing falls flat.

Don't get me wrong, there are lots of ways to get people more aware and informed about science that can entertain and inspire. But I'm not sure writing fiction with a science context is one of them. Science in fiction is fine - but as soon as it becomes 'education about science in fiction' it falls flat.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp...

Murder by Candlelight - Ed. Cecily Gayford ***

Nothing seems to suit Christmas reading better than either ghost stories or Christmas-set novels. For some this means a fluffy romance in the snow, but for those of us with darker preferences, it's hard to beat a good Christmas murder. An annual event for me over the last few years has been getting the excellent series of classic murderous Christmas short stories pulled together by Cecily Gayford, starting with the 2016 Murder under the Christmas Tree . This featured seasonal output from the likes of Margery Allingham, Arthur Conan Doyle, Ellis Peters and Dorothy L. Sayers, laced with a few more modern authors such as Ian Rankin and Val McDermid, in some shiny Christmassy twisty tales. I actually thought while purchasing this year's addition 'Surely she is going to run out of classic stories soon' - and sadly, to a degree, Gayford has. The first half of Murder by Candlelight is up to the usual standard with some good seasonal tales from the likes of Catherine Aird, Car...

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense...