Skip to main content

Peaking late

I'm a great enthusiast for Netflix - partly in terms of the range of interesting TV available (we're currently working through the original Swedish/Danish version of The Bridge, and Last Tango in Halifax for light relief) and just because of the impressive way it just works to do something that is quite amazing, when you think about it.

Recently, though, I've dipped a toe into what used to be Lovefilm Instant, which I now get free through Amazon Prime. One of the advantages of watching Netflix is I can do so on a proper TV, using an Apple TV box, but that doesn't support Amazon's offering - luckily, though, our Blu-ray player does (ah, the wonders of modern technology). To be honest there's not a lot in the free stuff on Amazon I wanted to watch, but I was delighted to see one thing. When I first got Netflix, I'd noticed the classic David Lynch TV show, Twin Peaks was on there and duly put it on my 'to watch' list. To my horror, by the time I got round to it, Twin Peaks had dropped out of the library. But joy etc. - there it was on Amazon.

So over the last couple weeks I've had a Twin Peaksathon, watching both seasons with some serious binge viewing, something TP is ideal for. For those of you who remember it, it's still just as weird and wonderful as everyone said it was at the time - and holds up very well to the modern eye, apart from the 4:3 ratio. It's remarkable how much of a buzz it caused back then - even though I never watched it, I could remember from 1990 that the murdered girl was called Laura Palmer. For those who didn't see it, this starts off as what appears to be a straightforward murder mystery, featuring a very strange FBI agent (played wonderfully by Kyle MacLachlan - whatever happened to him?) - but ends up with strong elements of fantasy and downright strangeness.

I know the show was cancelled, so the ending might not have been exactly what Lynch would have hoped for the whole enterprise (and there is a movie prequel/sequel, though it sounds as if that doesn't exactly tie up loose ends), but it did illustrate for me the classic 'great urban fantasy issue.' I'm a huge fan of fantasy writer Gene Wolfe, not for his off-Earth stuff that seems to have made most of his money, but for the superb fantasies set in a not-quite-right real world like Castleview and There Are Doors. But if Wolfe has one flaw it is that he builds up such a weird and wonderful and intriguing complex scenario that the end of the book is almost always a disappointment. I suspected this would be the case with Twin Peaks... and it was. In spades.

Nonetheless, there are many characters in there I'll treasure (though I could have done without the one played by Lynch himself) and a story and setting that will haunt me for a long time. If you have access to it, and didn't see it first time around, I'd recommend giving it a go.

For fans, here's the theme music:



Image from Wikipedia

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense