Skip to main content

A cracking venue

I love giving talks, whatever the setting. I am happy in a school classroom or a 1,000 seater auditorium.  (Okay, I love the buzz of a big audience, but sometimes the intimate little gatherings are the most rewarding.) But just occasionally you get a chance to speak somewhere that really feels special.

That's what I call a ceiling
Perhaps the most striking example I've had of this feeling of awe is the Royal Institution. It's hard not to be a little daunted and delighted in equal measures by the string of big name scientists from Davy and Faraday onwards who have lectured there. But a close second has to be the venue for my talk based on Dice World last Thursday, the John Rylands Library in Manchester.

I had heard about the library a lot as youth, when going to school in Manchester, and I passed it on the bus hundreds of times, briefly noting the way it stands out from its surroundings rather like that cathedral in New York. Certainly the outside is striking. In fact you could well call the library a cathedral of learning. But it's only when you get into its historical reading room that you discover this example of high Victorian gothic at its most truly wonderful. (Full marks also, by the way, for the way the modern extension is integrated with it.)

So next time you are in Manchester (and, as my old history teacher used to say, 'If you haven't been to Manchester, you haven't lived!') take the time to deviate from your busy schedule and make a trip to Deansgate. Once the city's posh shopping street, and still with some fancy brand names, you will find nestling anong the office blocks, restaurants and boutiques, this architectural treasure. Pop inside and feast your eyes. Best seen, I think, in the dusk, when the extravagant lighting really sets the place off.

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense