Skip to main content

A revelation in Wroughton

The second recording session for the BBC Science in Wiltshire radio series I'm taking part in was yesterday at the Science Museum's outpost in Wroughton, and it was an amazing afternoon.

On the sprawling site (it was literally about five minutes drive from the gatehouse to the offices) of a disused airfield, perched over the village of Wroughton near Swindon, the Science Museum has two treasures - its large objects archive, and its library.

The large objects archive is a store and conserving centre for the vast range of objects that aren't on display in the museum in London at the moment. This can be anything from the UK's first fuel cell driven bus to a cider barrel (as it happens these were adjacent to each other in the transit hangar when we took a peek in).

Along with BBC presenter Mark O'Donnell, I was taken round the controlled environment store. Imagine a cross between an Ikea warehouse and that scene in the Raiders of the Lost Ark where they store away the ark of the convenant in a packing case in vast warehouse. There were 20 foot high powered stacks with a ridiculously varied array of artefacts. The eye was first caught by a Belling cooker with an eye-level grill, only to be drawn down the storage rack along cooker after cooker, including some of the earliest electric models.

In another section of the store there was a magnicent jumble. An ejector seat (complete with dummy pilot) next to a penny farthing bicycle, next to an Edwardian dentist's X-ray machine. Elsewhere there was a startling contrast when Mark put the device he was using to record the interview - all built into a hand mike - alongside a professional metal tape recording machine the size of small car, and no doubt with much lower quality of recording.

This isn't a 'real' museum, in the sense that it's not generally open to the public, but they do have special events where different hangars are opened up for public viewing - and I'd really recommend taking the opportunity.

But for me, the absolute gem of the place was the library. I don't know how much this is a writer's view, but it was stunning. They have 26 kilometres of books and archives, but just the few on display were enough to take the breath away. On the same table was a first edition of Newton's Opticks, the very first copy of Einstein's popular science book on relativity (with a hand-written dedication by Einstein to a friend in the front) and the Apollo 11 Flight Plan, signed by the astronauts. The thrilling thing is that these books aren't in glass cases. You can touch them, turn the pages, read them. This is a real library, not a museum of books.

The library is open to the public (you need to make an appointment, though) and free. Both Mark and I were rendered near-speechless by the proximity of these texts. It's so much more powerful than seeing a picture on the web.

To find out more about the Science Museum at Wroughton, the library, visits and special events, see their website.

Comments

  1. You're a lucky man - why didn't you let me carry your bags!

    I can only see info about tours on the website Brian:

    http://www.sciencemuseum.org.uk/about_us/about_the_museum/science_museum_at_wroughton.aspx

    ReplyDelete
  2. Peet - that page has a link to the Library & Archives page http://www.sciencemuseum.org.uk/about_us/about_the_museum/science_library.aspx - this doesn't give details of how to use the library at Wroughton, but if you click on the 'Contact Us' link (http://www.sciencemuseum.org.uk/about_us/about_the_museum/science_library/contact_us.aspx) it gives contact details for Wroughton - it's freely available to the general public, but you do have to make an appointment.

    ReplyDelete

Post a Comment

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's 2010 gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some exp

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Why backgammon is a better game than chess

I freely admit that chess, for those who enjoy it, is a wonderful game, but I honestly believe that as a game , backgammon is better (and this isn't just because I'm a lot better at playing backgammon than chess). Having relatively recently written a book on game theory, I have given quite a lot of thought to the nature of games, and from that I'd say that chess has two significant weaknesses compared with backgammon. One is the lack of randomness. Because backgammon includes the roll of the dice, it introduces a random factor into the play. Of course, a game that is totally random provides very little enjoyment. Tossing a coin isn't at all entertaining. But the clever thing about backgammon is that the randomness is contributory without dominating - there is still plenty of room for skill (apart from very flukey dice throws, I can always be beaten by a really good backgammon player), but the introduction of a random factor makes it more life-like, with more of a sense